It comes down to his understanding of character and his understanding of what the audience is looking for. That speaks to being able to transcend a brand. "Gunn has shown that he can succeed in both Marvel and DC. "I think between the two of them there is a certain level of experience in those worlds to be able to shepherd a lot of untapped potential in DC," said Shawn Robbins, chief analyst at. Industry experts see Gunn and Safran as a potential dynamic duo. He also produced a handful of DC titles including "Aquaman," "Shazam" and Gunn's "The Suicide Squad." Safran began as a talent manager before transitioning into producing, helping to launch The Conjuring Universe, a lucrative franchise of interconnected horror films. He also directed subversive genre films like "Slither" and "Super," and wrote "Tromeo and Juliet" for schlock studio Troma. Gunn, in addition to working at Marvel, has a long career in Hollywood and the indie film world, with screenwriting credits for movies like "Scooby Doo" and Snyder's "Dawn of the Dead" remake. The duo have worked together previously on projects and bring extensive industry experience to the comic book studio.
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In November, Gunn and producer Peter Safran, were given the reins for DC Studios and have since developed a 10-year plan to reinvigorate its franchises across TV and film, including fresh spins on Superman and Batman. 3," which would be his last venture with Marvel Studios. Eventually, Gunn was rehired by Disney to write and helm "Guardians of the Galaxy: Vol. The writer-director took a brief hiatus from working with Marvel, after tweets resurfaced in which he made jokes about pedophilia and molestation. During this time, he teamed up with DC to write and direct "The Suicide Squad," another film about a ragtag group of antiheroes, although this time Gunn tapped into his edgier side and netted an R rating. While some saw the idea of a gun-toting raccoon and a talking tree teaming up in a tent pole Disney film as potentially disastrous, Gunn's script, packed with comedy and heart, went on to generate $770 million globally in 2014. Gunn's first film with Marvel, "Guardians of the Galaxy," saw a ragtag team of intergalactic criminals turn into reluctant heroes. Gunn has been one of several creative shepherds for Marvel since "Iron Man" hit theaters and kicked off the Marvel Cinematic Universe in 2008. And while Marvel has remained under the steady stewardship of Kevin Feige, DC looks to find new footing under new leadership. Their parent companies are also looking to lean more into franchises while cutting spending in other areas of their businesses. The DC Extended Universe, which released 12 films since 2013, saw box-office returns of $6.4 billion and built ardent fan bases for writer-director Zack Snyder and live-action versions of characters like Harley Quinn (Margot Robbie).Ĭhanges are coming to both studios, as attendance at cinemas has lagged in the wake of the pandemic and Marvel and DC look to lure back audiences with captivating and innovative storytelling. While Marvel has clearly seen greater box-office success in the last decade, generating $28.7 billion in global ticket sales from 31 feature films since 2008, industry experts don't count out DC. 3" would show that Gunn has his finger on the pulse, and has the potential to deliver similar results over at DC Studios, where he was named co-CEO last year. The success of "Guardians of the Galaxy Vol. 2," which went on to snare $870 million globally, according to data from Comscore. The new film is expected to generate between $120 million and $155 million domestically during its upcoming opening weekend, on par with the 2017 release of "Guardians of the Galaxy: Vol. And, for once, the success of a Marvel film could bode well for the future of its longtime adversary. 3" on Friday marked the symbolic end of writer and director James Gunn's time with one comic book studio and the start of his reign at another. The release of Marvel's "Guardians of the Galaxy Vol.
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